\BOOKMARK [1][-]{section.1}{Gliederung des Studiums und individuelle Schwerpunktbildung}{}% 1 \BOOKMARK [1][-]{section.2}{Kompetenzen in der Medientechnik}{}% 2 \BOOKMARK [1][-]{section.3}{Modul-Kompetenz-Matrix}{}% 3 \BOOKMARK [1][-]{section.4}{Abk\374rzungen der Studieng\344nge des Fachbereichs Technik}{}% 4 \BOOKMARK [1][-]{section.5}{Modulverzeichnis}{}% 5 \BOOKMARK [2][-]{subsection.5.1}{Pflichtmodule}{section.5}% 6 \BOOKMARK [3][-]{section*.2}{Arbeitstechniken 1}{subsection.5.1}% 7 \BOOKMARK [3][-]{section*.3}{Audio-/Videotechnik 1}{subsection.5.1}% 8 \BOOKMARK [3][-]{section*.4}{Computeranimation}{subsection.5.1}% 9 \BOOKMARK [3][-]{section*.5}{Mathematik 1}{subsection.5.1}% 10 \BOOKMARK [3][-]{section*.6}{Physik}{subsection.5.1}% 11 \BOOKMARK [3][-]{section*.7}{Arbeitstechniken 2}{subsection.5.1}% 12 \BOOKMARK [3][-]{section*.8}{Audio-/Videotechnik 2}{subsection.5.1}% 13 \BOOKMARK [3][-]{section*.9}{Elektrotechnik}{subsection.5.1}% 14 \BOOKMARK [3][-]{section*.10}{Mathematik 2}{subsection.5.1}% 15 \BOOKMARK [3][-]{section*.11}{Programmieren 1}{subsection.5.1}% 16 \BOOKMARK [3][-]{section*.12}{Audio-/Videotechnik 3}{subsection.5.1}% 17 \BOOKMARK [3][-]{section*.13}{Internet-Grundlagen}{subsection.5.1}% 18 \BOOKMARK [3][-]{section*.14}{Mathematik 3}{subsection.5.1}% 19 \BOOKMARK [3][-]{section*.15}{Nachrichtentechnik 1}{subsection.5.1}% 20 \BOOKMARK [3][-]{section*.16}{Programmieren 2}{subsection.5.1}% 21 \BOOKMARK [3][-]{section*.17}{Autorensysteme}{subsection.5.1}% 22 \BOOKMARK [3][-]{section*.18}{Computergrafik}{subsection.5.1}% 23 \BOOKMARK [3][-]{section*.19}{Digitale Signalverarbeitung}{subsection.5.1}% 24 \BOOKMARK [3][-]{section*.20}{Internet-Programmierung}{subsection.5.1}% 25 \BOOKMARK [3][-]{section*.21}{Medienwissenschaft}{subsection.5.1}% 26 \BOOKMARK [3][-]{section*.22}{Betriebswirtschaft}{subsection.5.1}% 27 \BOOKMARK [3][-]{section*.23}{Projektgruppe}{subsection.5.1}% 28 \BOOKMARK [3][-]{section*.24}{Projektarbeit}{subsection.5.1}% 29 \BOOKMARK [3][-]{section*.25}{Recht und Datenschutz}{subsection.5.1}% 30 \BOOKMARK [3][-]{section*.26}{Praxisphase}{subsection.5.1}% 31 \BOOKMARK [3][-]{section*.27}{Bachelorarbeit}{subsection.5.1}% 32 \BOOKMARK [2][-]{subsection.5.2}{Wahlpflichtmodule}{section.5}% 33 \BOOKMARK [3][-]{section*.28}{WPM AV-Produktion}{subsection.5.2}% 34 \BOOKMARK [3][-]{section*.29}{WPM Aktuelle Themen aus Forschung und Wissenschaft}{subsection.5.2}% 35 \BOOKMARK [3][-]{section*.30}{WPM Aktuelle Themen der Audio-Technik}{subsection.5.2}% 36 \BOOKMARK [3][-]{section*.31}{WPM Algorithmen und Datenstrukturen}{subsection.5.2}% 37 \BOOKMARK [3][-]{section*.32}{WPM Angriffsszenarien und Gegenma\337nahmen}{subsection.5.2}% 38 \BOOKMARK [3][-]{section*.33}{WPM Antennen und Wellenausbreitung}{subsection.5.2}% 39 \BOOKMARK [3][-]{section*.34}{WPM Audio-/Videotechnik 4}{subsection.5.2}% 40 \BOOKMARK [3][-]{section*.35}{WPM Beleuchtungstechnik}{subsection.5.2}% 41 \BOOKMARK [3][-]{section*.36}{WPM Betriebssysteme}{subsection.5.2}% 42 \BOOKMARK [3][-]{section*.37}{WPM Cisco Networking Academy 1}{subsection.5.2}% 43 \BOOKMARK [3][-]{section*.38}{WPM Cisco Networking Academy 2}{subsection.5.2}% 44 \BOOKMARK [3][-]{section*.39}{WPM Datenbanken}{subsection.5.2}% 45 \BOOKMARK [3][-]{section*.40}{WPM Digitale Fotografie}{subsection.5.2}% 46 \BOOKMARK [3][-]{section*.41}{WPM Drehbuchentwicklung}{subsection.5.2}% 47 \BOOKMARK [3][-]{section*.42}{WPM Einf\374hrung in die Simulation elektrischer Schaltungen}{subsection.5.2}% 48 \BOOKMARK [3][-]{section*.43}{WPM Elektroakustik}{subsection.5.2}% 49 \BOOKMARK [3][-]{section*.44}{WPM Elektromagnetische Vertr\344glichkeit}{subsection.5.2}% 50 \BOOKMARK [3][-]{section*.45}{WPM Englisch}{subsection.5.2}% 51 \BOOKMARK [3][-]{section*.46}{WPM Entwurfsmuster}{subsection.5.2}% 52 \BOOKMARK [3][-]{section*.47}{WPM Fotografie und Bildgestaltung}{subsection.5.2}% 53 \BOOKMARK [3][-]{section*.48}{WPM Gestaltung von AV-Produktionen}{subsection.5.2}% 54 \BOOKMARK [3][-]{section*.49}{WPM Hochfrequenztechnik}{subsection.5.2}% 55 \BOOKMARK [3][-]{section*.50}{WPM H\366here Farbmetrik}{subsection.5.2}% 56 \BOOKMARK [3][-]{section*.51}{WPM Interdisziplin\344res Arbeiten}{subsection.5.2}% 57 \BOOKMARK [3][-]{section*.52}{WPM Kalkulation und Teamarbeit}{subsection.5.2}% 58 \BOOKMARK [3][-]{section*.53}{WPM Kommunikation in Marketing und Vertrieb}{subsection.5.2}% 59 \BOOKMARK [3][-]{section*.54}{WPM Kommunikationssysteme}{subsection.5.2}% 60 \BOOKMARK [3][-]{section*.55}{WPM Lichttechnik}{subsection.5.2}% 61 \BOOKMARK [3][-]{section*.56}{WPM MATLAB Seminar}{subsection.5.2}% 62 \BOOKMARK [3][-]{section*.57}{WPM Marketing f\374r Ingenieure}{subsection.5.2}% 63 \BOOKMARK [3][-]{section*.58}{WPM Mathematik am Computer II}{subsection.5.2}% 64 \BOOKMARK [3][-]{section*.59}{WPM Medienelektronik}{subsection.5.2}% 65 \BOOKMARK [3][-]{section*.60}{WPM Mediensteuerung}{subsection.5.2}% 66 \BOOKMARK [3][-]{section*.61}{WPM Mikrowellenmesstechnik}{subsection.5.2}% 67 \BOOKMARK [3][-]{section*.62}{WPM Modellierung}{subsection.5.2}% 68 \BOOKMARK [3][-]{section*.63}{WPM Multimediaprojekte}{subsection.5.2}% 69 \BOOKMARK [3][-]{section*.64}{WPM Musikproduktion}{subsection.5.2}% 70 \BOOKMARK [3][-]{section*.65}{WPM Nachrichtentechnik 2}{subsection.5.2}% 71 \BOOKMARK [3][-]{section*.66}{WPM Pers\366nlichkeiten und Meilensteine der Wissenschaft}{subsection.5.2}% 72 \BOOKMARK [3][-]{section*.67}{WPM Processing}{subsection.5.2}% 73 \BOOKMARK [3][-]{section*.68}{WPM Produktion Digitaler Medien}{subsection.5.2}% 74 \BOOKMARK [3][-]{section*.69}{WPM Radio- und H\366rspielproduktion}{subsection.5.2}% 75 \BOOKMARK [3][-]{section*.70}{WPM Refactoring}{subsection.5.2}% 76 \BOOKMARK [3][-]{section*.71}{WPM Satellitenortung}{subsection.5.2}% 77 \BOOKMARK [3][-]{section*.72}{WPM Softwaresicherheit}{subsection.5.2}% 78 \BOOKMARK [3][-]{section*.73}{WPM Spezielle Themen der Medientechnik}{subsection.5.2}% 79 \BOOKMARK [3][-]{section*.74}{WPM Spezielle Themen der Nachrichtentechnik}{subsection.5.2}% 80 \BOOKMARK [3][-]{section*.75}{WPM Statistik}{subsection.5.2}% 81 \BOOKMARK [3][-]{section*.76}{WPM Studiotechnik}{subsection.5.2}% 82 \BOOKMARK [3][-]{section*.77}{WPM Vertriebsprozesse}{subsection.5.2}% 83 \BOOKMARK [3][-]{section*.78}{WPM Visuelle Effekte}{subsection.5.2}% 84 \BOOKMARK [3][-]{section*.79}{WPM iOS-Programmierung}{subsection.5.2}% 85